Kursseja myös mittatilaustyönä, kesä/syksy 2025

Kurssit täyttyvät melkoista vauhtia, varaa paikkasi nyt! Järjestän kursseja myös mittatilauksena: mikäli pääsisit viikonloppuna tai illalla, laita viestiä veera.s.tamminen (at) gmail.com, minkälainen kurssi sinua kiinnostaisi, niin sovitaan!

Keramiikkakursseja Espoossa kesällä 2025

Kolme erilaista kurssia Espoon Kerassa! Tervetuloa tekemään korua, pientä veistosta (tai suitsukeastiaa) tai kokeilemaan dreijausta kesä-heinäkuussa 2025. Kurssit ovat eri mittaisia, mutta kaikki hinnat sisältävät alvin (25,5%), materiaalit, poltot sekä opetuksen. Varaa paikkasi ajoissa (viimeistään ma 12.5.2025), kursseilla on rajattu osallistujamäärä!

Lisätiedot ja ilmoittautuminen veera.s.tamminen (at) gmail.com

Stain party from Fermée

FERMÉE

Merry, happy from Fermée!

 

Fermée

"The World Is Your Oyster" -party by FERMÉE

https://www.instagram.com/fermeestouvert/

Fermée is Nordic design from Finland. It has basics in the minimalistic, organic shapes that are cast in black clay and glazed in lushious white opaque glaze. All the ware are hand made and are unique. 

Fermée does haute couture -parties (like this "The World Is Your Oyster" -party) with the tableware that are inspired by pirate ships, since royal companies and their ships used to ship only finest porcelain. What would've pirate ships ship to the ports? 

Fermée est ouvert! 

Currently, Fermée ware is not for sale, but to be enjoyed as applied art! 

Every other day glazes, Po & Po edition

 

Every other day glazes, part 2

Every other day glazes

https://www.instagram.com/everyotherdayglazes/

Metro stations in Paris: "Miel"

One year ago I was at Cité International des Art in Paris doing a recidency. I spent a many Wednesdays at Sévres archives and I still have a lot to write about the findings from the archive. To get around, the obvious way was to take a metro. At the stations there is the honey color glazed decorative tiles around the big advertisement porters and even lovelier deco on top of the frames (as seen in the photos). In French the glaze is called "Miel" for honey. 

There is a tiny plaque in one of the metro stations, which I tried to search every time exiting a metro shuffling around the city, which tells a bit of the history of the Miel glaze. The plaque was put there to celebrate the 100 years of Paris metro (1900-2000). In 1920's to 1930's the ceramics companies around the area made the tiles. Note the classic metro tile, as well!

Book about the exhibition at Princessehof Ceramics Museum

 

Still a month to see the Porcelain Fever exhibition in Leeuwarden, The Netherlands. They have a lovely publication about the exhibition as well. It's the history of European porcelain between the covers of one book, accompanied with great photos of the objects exhibited at the museum. The book is written in Dutch but translated in English. 

A Ruan Hoffmann original in Café de Dokter in Amsterdam

There is a thing in Amsterdam called Bruin Café (Brown Cafés) and it's an old bar that has still cigarette stained walls and smudged paintings on these walls. It's said that it almost sacrilege to refurnish or clean so they stay this way. On our trip we bumped into one on a secret alley and of course went in! 

It was cozy and crowded and we just got two empty seats at the end of the bar's zinc. The place was so tiny that we were asked to move for a little while from our seats since the owner needed to access the cellar which was under a trapdoor on the floor. 

But, I noticed it immediately that there was a Ruan Hoffmann original on the wall designated for the place. I absolutely loved it!

 

Ceramic Museum Princessehof in Leeuwaarden, The Neatherlands

During our trip to Amsterdam to see Marina Abramovic's retrospective and re-performed pieces (by artists from Abramovic institute, yes, the piece was exhibited were you can squeeze through two nudes between columns) we took a two hour train trip to Leeuwarden where there is a ceramic museum in a place that has previously served as a castle for the Princess of Orange. 

The permanent collection is vast and the mini temporary exhibitions were very interesting. 

Even though the permanent collection wasn't the main reason to visit the lovely town of Leeuwarden: they had put together an exhibition of Augustus the Strong and Madame Pompadour's ceramics with loans from Dresden and Sèvres. I have been a frequent visitor in Sèvres during my Paris trips but I have never seen many of the exhibited pieces! And even if I have been a visitor in Sèvres archives I haven't been able to touch the notebook which they were showcasing. During the first three months they showed the formula for pâte tendre (soft paste porcelain) and apparently, we visited the museum during the last three, since they were showcasing it on the pages where there's secrets (tiny hand writing in French) about pigments/stains. In Sèvres I had an opportunity to flip through notes from the 18th century. And the news form the exhibition (about the note book too) were form The French Porcelain Society's Livingroom Lecture, as a member you will receive the latest news. 

The exhibition is on in Ceramic Museum of Princessehof in Leeuwarden in The Neatherlands until September 1st 2024. 

Thesis: Hartsikipsin käyttö ja värjäys keramiikan konservoinnissa - Case Jasperkeramiikka

My Bachelor Thesis (Metropolia 2024) is now on Theseus. It's in Finnish, but you can find the abstract in English.

Graduating as a conservator from Metropolia, Helsinki

 

Yesterday I left my thesis to be evaluated, so I'll be graduating next month as a conservator (of ceramics). My thesis is a study, if resin plaster can be used and dyed for the needs of conservation of ceramics. It is a case study to conserve this though-dyed ceramic, Wedgwood's tobacco jar. Upper photos are before treatments and the last photo is a detailed photo of conservation trial. I don't think that using resin plaster was too successful in this case, and since the resin plaster is needed to cast once right, it needs understanding and practical skills. It's not a minimal intervention type of a ceramics conservation process, but the object is mine!

Ketchup, chocolate sauce, pee soup

I created a new video, it can be found on Vimeo.

The Dresden Porcelain Project

The Dresden's Porcelain Collection by Augustus the Strong has been cataloged and it will be launched on this date!

Fermée est ouvert!

 

www.fermee.fi

Fermée does not have a web store or retailer yet, but if interested in buying one or Fermée creations, contact the maker: veera.s.tamminen (at) gmail.com!

Fermée is Nordic design from Finland. It has basics in the minimalistic, organic shapes that are cast in black clay and glazed in lushious white opaque glaze. All products are hand made and are unique.

Fermée is a manufactory single handed by a ceramicist, an artist and a designer Veera Tamminen. She creates her designs by hand in small batches in her studio in Finland.

The logo is inspired by pirate ships, since royal companies and their ships used to ship only finest porcelain. What would've pirate ships ship to the ports? 

Gallery Fogga's Christmas December 9th to 22nd 2023

 

Warmly welcome to the opening of our Christmas exhibition "Foggan Joulu" at Gallery Fogga in Helsinki December 9th 2023 at 6pm to 8pm! 

Foggan Joulu group exhibition December 9th to 22nd 2023 together with: 

Asta Caplan, Susanna Eskola, Anna Mikaela Jaanti, Ulla Kihlman, Kristiina Nikkola,

Aulikki Nukala, Eeva Saunio, Marjo-Riikka Stenius, Veera Tamminen.

Link II Opening October 26th 2023 in Stockholm

 

Link exhibition by Artists O and Fiber Art Sweden will have an opening on Thursday October 26th 2023 at 3pm at HV Galleri in Stockholm. Warmly welcome! More info in Finnish: https://artists-o.fi/fi/ajankohtaista/ilmo/lank-link-linkki-2

Blue Fruit Exotique 2023

 

Another artwork for our Stockholm exhibition next October is called Blue Fruit Exotique and here's what I have said about it: 

Blue Fruit Exotique 2023

porcelain, photographs

“Once, I had a dream of the blue fruits, and that I bought them from a market. It was definitely a dream that I wanted to remember, even if someone would have made me dream that dream.” The performative photographs were shot in Marais, Paris.